Executed in 2008, this work is from an edition of 50 unique multiples. The skull is one of a number of recurring motifs not only in Damien Hirst’s work, but also in art history in general, and in this special edition Hirst has introduced it into another area of his oeuvre. The technique applied is simple, but the outcome implies complex ideas about mortality and the history of mankind, and although these works deny a specific anthropological or historical reading, the results are compelling, being celebratory and seductive, as well as ominous and haunting.
The images here are a selection from the edition.
Damien Hirst was born in Bristol in 1965. He first came to public attention in 1988 when he conceived and curated ‘Freeze’, an exhibition of his own work and that of his contemporaries at Goldsmiths college, staged in a disused London warehouse. Since this time Hirst has become widely recognised as one of the most influential artists of his generation.
Through a varied practise of installation, sculpture, painting and drawing Hirst has sought to explore the complex relationship between art, life and death. Alongside over 80 solo exhibitions he has worked on numerous curatorial projects. In 2008, Hirst took the unprecedented step of bypassing gallery involvement in selling 244 new works at a Sotheby’s, London auction entitled ‘Beautiful Inside My Head Forever’.
Hirst was awarded the Turner Prize in 1995 and his contribution to British art over the last two and a half decades has been acknowledged in a major solo retrospective currently being exhibited at Tate Modern, London. He lives in Devon and has studios in Gloucester and London.
Text © Damien Hirst & Science Ltd., All rights reserved, 2012